or Best Offer. Rembrandt van Rijn (1606-1669) (14.9 x 13.2cm) [Bartsch, Hollstein 262; Usticke's third state of 3] provenance: /spanPrivate Collection, Pennsylvania. À l'origine 74 plaques de cuivre de Rembrandt furent acquises par le marchand Clément de Jonghe lors de la faillite de l'artiste. His innovations to the art of etching would go on to influence Goya, Picasso, Chagall, and generations of artists to come.. During Rembrandt’s lifetime, he became very famous for his production and promotion of prints depicting various subjects–Biblical stories, portraits, scenes of everyday life, history, etc. Lot 1: REMBRANDT VAN RIJN, (DUTCH 1606-1669), "THE AGONY IN THE GARDEN", Lot 1: Rembrandt Harmenszoon van Rijn 1606-1669 (Dutch) Self portrait drawing at the window, 1648 etching and drypoint, Lot 1: REMBRANDT VAN RIJN, (DUTCH 1606-1669), "LANDSCAPE WITH A SQUARE TOWER", Lot 1: Rembrandt Harmensz Van Rijn, Self Portrait Etching, Lot 1: Rembrandt van Rijn, Saint Pierre Guerissant le Paralylique (B94), Heliogravure, Lot 1: REMBRANDT VAN RIJN, (DUTCH 1606-1669), "SELF PORTRAIT OPEN-MOUTHED, AS IF SHOUTING: BUST", Lot 1: REMBRANDT VAN RIJN, (DUTCH 1606-1669), JAN ASSELYN, PAINTER ("KRABBETJE"), Lot 1: Rembrandt Harmenszoon van Rijn (Leiden 1606 - Amsterdam 1669). REMBRANDT VAN RIJN (dutch 1606-1669)/span "ADORATION OF THE SHEPHERDS: A NIGHT PIECE" c. 1652. 78; H. 270), estimated between $380,000 and 560,000, sold for an astonishing $971,454. Description: ” What’s Happening to the ” Rembrandt Millennium’ Edition Etchings ” Wonder what ever is happening with the Limited edition ( some limited edition 25 00 impressions ) of the ” Rembrandt Millennium’ Edition ” , Let take the advantage to take a look at these works , since the year 2000 when these were published and what they are selling at on the Market . REMBRANDT VAN RIJN (dutch 1606-1669)/span "REMBRANDT IN VELVET CAP AND PLUME" 1638. And Bartsch did this for T.M.’s little prints. - The exclamation means 'What a cold!'. REMBRANDT VAN RIJN (dutch 1606-1669)/span THE FOURTH ORIENTAL HEAD C. 1635. Sheet size; 8 3/8 x 6 1/2 inches. Rembrandt van Rijn (1606-1669) If we have determined that a work is an authentic Rembrandt, then we are prepared to appraise it and offer an estimation of value. One of six Rembrandt etchings published by J.M. (52.9 x 40.3cm) [Bartsch, Hollstein 81; Usticke's fifth state of 5] provenance: /spanBellette Hofmann Fine Art, New York, New York. Restrikes or prints produced from original artist plates after the artist has died are still very collectible and more importantly, very valuable. Private Collection, Maryland. There are some tiny areas of glue/gum within the image at center right and lower left; some small stains at upper left and lower right corners, a repaired hole and slight skinning. From the home of an elderly Cambridge woman, inherited from her father who was the owner of the Mirski Gallery (1944-1979) on Newbury St., Boston. Some localized abraded areas and unobtrusive handling creases (such as a tiny fold at outer bottom right corner and a minor diagonal tear of approx. All transactions are governed by Freeman's Conditions of Sale. Condition Report: The print on laid paper with two small tape hinges at top edge verso affixed to undermat. Masterpiece Technologies Inc., its affiliates, and employees are not responsible for judgments and decisions made based on the advice provided. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. Description: They all date from the 1640-1653 period. Etching and drypoint 6 13/16 x 8 3/8 in. Four etchings, cm. Frame: 14 1/2 x 11 x 1 1/2 in. Second etition, revised and partly rewritten. All Rights Reserved. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. REMBRANDT VAN RIJN (dutch 1606-1669)/span "THE DESCENT FROM THE CROSS" 1633. The absence of a condition report does not imply that the lot is in perfect condition or completely free of defects, imperfections, restoration, wear and tear, or the effects of aging. RECUEIL DE QUATRE–VINGT CINQ ESTAMPES ORIGINALES Condition Report: Lot 1: Rembrandt van Rijn dit Rembrandt Leyde, 1606 - Amsterdam, 1669 Descente de croix, effet de nuit Eau-forte. Lot 2: Rembrandt van Rijn (Dutch, 1606-1669), , Saskia with Pearls in Her Hair, Lot 2: Rembrandt van Rijn (1606-1669) The Baptism of the Eunuch, Lot 2: REMBRANDT VAN RIJN (D'APRÈS) TÊTE DE VIEIL HOMME BARBU AU BÉRET Eau-forte sur vergé d'Arches crème, qui serait gravée par F, Lot 2: Rembrandt van Rijn (1606-1669) The Raising of Lazarus: the Small Plate. (Leida 1606 - Amsterdam 1669) "PEASANT FAMILY ON THE TRAMP" There is some pale toning in parts of margin at right corner. R's. Keeping track of the information provided is the responsibility of the subscriber. Etching and drypoint Image size: 3 1/2 x 6 3/16 in. This service is provided as an information and advice resource. RefFin29319, Estimate: Sign in to view your bids, favorites & more! Provenance: GUEST: I grew up going to garage sales and flea markets with my mother. Etching, engraving and drypoint on Ingres d'Arches off-white laid paper (watermark) with large margins. Etching. 12,5 x 10 After the loss of three children during childbirth, Saskia gave birth to a son named Titus. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. Description: Condition Report: Condition Report: The Baptism of the Eunuch Condition Report: Rembrandt van Rijn (1606-1669) All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. Rembrandt Harmenszoon van Rijn 1606-1669 (Dutch) Self portrait drawing at the window, 1648 etching and drypoint h:16 w: 13 cm. Condition Report: Prospective buyers should examine each lot so to satisfy themselves concerning condition, genuineness, importance, age, etc. The print appears to have been bleached, though it is a fine overall impression. Part of sheet (bottom) has margins, with partial margins at left/right outer edges, the rest of those edges the margin is trimmed away. Rembrandt Harmensz Van Rijn Condition Disclaimer Under the Conditions of Sale applicable to the sale of the lot, buyers must satisfy themselves as to each and every aspect of the quality of the lot, including (without limitation) its authorship, attribution, condition, provenance, authenticity, age, suitability and origin. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. Introduction and catalogue.--II. We notice the edges are uneven. £1,500 - £2,000, Description: Values and related information provided are based on current market conditions at the time of the request. Any statement in relation to the lot is merely an expression of opinion of the seller or Lyon & Turnbull and should not be relied upon as an inducement to bid on the lot. For that reason, Freeman's condition report is not an alternative to taking your own professional advice regarding the condition of the lot. Your email address or password is incorrect. On the back of the Rembrandt was a stamped name, "Wim Beeke," and an address in Rotterdam. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. Overall sheet size: 21 1/8 x 16 1/8 inches. Description: The upper portion of the work partially affixed (likely with glue but we are not certain for fear of risking damage to the sheet) to undermat, so that approx. Bid in-person or online for the upcoming auction:Fifty Prints by Rembrandt van Rijn A Private English Collect on 5 July 2016 at London. Sheet appears to be backed. For estimated delivery time please contact us. The images of the lot form part of the condition report for the lot provided by Freeman's. 1917), Brussels, [L. 3751] He was very skilled at producing images of landscapes and portraits. JAN ASSELYN, PAINTER ("KRABBETJE") Subscription begins at date and time of payment.*. This is our proposal for an Online Appraisal which includes actual sales records when agreed to by the client, It will constitute a binding agreement between Masterpiece Technologies Inc. (who represents Dr. Lori) and the client. Rembrandt’s Grandmother is a very sensitive depiction of the women who he greatly admired and loved. The appraisal assumes that there are no hidden conditions and the appraiser assumes no responsibility for the same. Etching and drypoint 5 7/8 x 7 3/4 in. Etching. Lots are sold on an 'as is' basis but the actual condition of the lot may not be as good as indicated by its outward appearance. All transactions are governed by Freeman's Conditions of Sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Pages de garde jaunies et oxydées, mouillures, rousseurs, quelques taches, traces de plis ondulés, petites amincissures, bords un peu jaunis. Rembrandt van Rijn (1606-1669) Etching and drypoint with light plate tone, 1651, but a later impression of New Hollstein's eighth state (of ten) with fine shading to Joseph's cheek but before further reworking, on laid paper without watermark, platemark 126 x 110 mm. 4 15/16 x 4 3/16 in. In strong light in this area, there are almost imperceptible specs in which the light is visible - perhaps pintip in size - which may be pintip size holes in sheet, not really visible when print seen from front. At this time, the Academic views on printmaking were not as high as oil painting and etching was seen as a secondary art without much value, but Rembrandt used it to his advantage. Etching on laid paper, New Hollstein's first state of three; before the three short vertical lines added in the center of the pack; a fair impression with the plate scratches lower left still clearly visible. REMBRANDT VAN RIJN (dutch 1606-1669)/span OLD MAN WITH BEARD, FUR CAP AND VELVET CLOAK 1632. In these areas, the sheet appears slightly lighter in color than in surrounding area, particularly at outer left edge at upper center. Adoration: with thread margins and part of bottom portion of sheet affixed to undematr. If you are using a personal computer, try right-clicking on the photo file with the mouse and then selecting the ‘Email’ or ‘Sent to’ feature. Estimate: When the market becomes flooded with restrike prints there is the potential for counterfeiting. (7 3/8 x 8 3/4 in), small margins, with 19th century 'Seine Colportage' blue ink import stamp verso, (unframed) Description: No returns will be accepted on the basis of condition. Chiaroscuro is an art technique of showing great contrast between light and dark areas. At least 79 of Rembrandt's original plates are still in existence. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. $5,000 - $8,000. The subject of the present etching is Saskia Uylenburgh, daughter of a wealthy Leeuwarden burgomaster. You may also consider taking a photograph of the photo using your cell phone, tablet, or digital camera. REMBRANDT "CANAL WITH A LARGE BOAT AND A BRIDGE" Signed Etching by Amand Durand. Framed in black wood and glass. Sheet has some slight cockling, with some areas of sheet not lying perfectly flat. Etching. $1,500 - $2,500. Rembrandt was born in 1606 in Leiden, the son of a miller and a baker’s daughter. Condition Report: rais. - REMBRANDT original etching sketch of barn with horses. 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